Movie of the Day – The Replacement Killers

I will watch any movie that has Chow Yun-fat on screen. Shit, I sat through the crappy second Pirates of the Caribbean movie just because he was playing some typecast role of a Chinese naval pirate. Also his ship looked like a dragon, which was bad ass in my opinion. But for me Chow Yun will always be the premier action star. Sure that is a tall opinion that I am putting out there, but if you are an action fan, you will remember that this man, along with John Woo, pretty much defined the bullet ballets of late 80s and early 90s. From acrobatic gun battles and making the act of weilding duel guns a staple of action cinema, Chow Yun is the man and you won’t find any actions films that are better than what we did for Hong Kong cinema. While his roles in Hong Kong cinema are well documented, he did take his first turn in an American film directed by a new, young director Antoine Fuqua, one that is underappreciated in my opinon. That film is The Replacement Killers.

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So It Begins – Lord of War

As part of my New Year’s Resolution to start branching out more with my film blog, I decided to do more film centric articles, almost in the same vain as the Top Ten Lists or even more analysis/praise of particular things about film.  As of late I have been reading a lot of different film blogs and appreciating all the work that others have done with the medium of film, but one particular has caught my eye and really made me appreciate what it is I love most about movies.

In some ways, we as a movie going audience have become numb to what all goes into a film.  The beginning, middle and ending of a film are just the parts of the film that we think begins with the start of the story.  Once the title cards roll past the screen, we assume that is when the movie begins.  In reality, there is a subtle art that goes into the opening title sequences.  It isn’t just about telling us who is in the movie, but the title sequence can be a mechanism in which a story it setup or thematic elements of a film can be explained.  The blog entitled, Art of the Title, is a fantastic site that goes into deep, critical analysis of the title sequences of some of the best movies out there.  Another fantastic site called, Forget the Film, Watch the Titles, expands upon the art of the opening and even crosses over to television openings.  Both sites feature amazing interviews and chronicle some of the previous incarnations of opening sequences.  While they are sites strictly dedicated to that art form, I am doing this as more of an expansion on my repertoire of film postings.

While I will try and give some insight in the thematic elements and meaning of the opening sequences, if you want to explore more of the art and direction that goes into the title openings, check out the sites mentioned above.

So to start off the first of many posts on the subject, today will be about the opening sequence for the film, Lord of War.

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